We found 3 matching opportunities
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Haviland Atha-Simonton
Washington, DC
Deadline:
Mar 26, 2026
WCADC Admin
Washington, DC
Deadline:
Apr 11, 2026
Kelley Smith
International
Deadline:
Feb 22, 2026
Monumental Washington
Organization:
Washington Sculptors Group
Location
4400 Massachusetts Ave NW Washington, DC 20016
Entry Fee
Paid Entry
Deadline
December 9, 2024
Exhibition
Feb 8
- May 16, 2025
ABOUT THE EXHIBITION
The Washington Sculptors Group is excited to partner with the American University Museum for an exhibition of outdoor work. For Monumental Washington, artists are invited to submit images of existing large scale, freestanding sculptures. All work must be suitable for display outdoors during late winter/early spring months without the need for maintenance. Works will be installed in the museum?s sculpture garden, which has concrete floors and walls?all work must be free standing and require no anchoring.
ABOUT THE JUROR
Laura Roulet is an independent curator and writer, specializing in contemporary and Latin American art. She was one of five international curators chosen for the initial 5x5, a major public art initiative in Washington DC. She organized the 60th anniversary exhibition for the Washington Print Club at the Kreeger Museum, 'The DMV Collects the DMV.' Other recent exhibitions include 'The Human Flood,' ?Landscape in an Eroded Field,? and ?Foon Sham: Escape? (American University Museum, Katzen Center); ?A Dark and Scandalous Rockfall? (Mexican Cultural Institute); and ?Brian Michael Reed, In the Crosscurrent? (Huntington Museum of Art, WV). International exhibits include the OAS Art Museum of the Americas as well as exhibits in Mexico City and Puerto Rico. She was a mentoring curator at the D.C. Arts Center and the first mentoring curator at VisArts in Rockville, MD. She is a regular contributor to Sculpture magazine. Her catalogue essay ?Aglutinación: The Collective Spirit of Puerto Rican Art? is included in Relational Undercurrents, Pacific Standard Time LA/LA. Her other publications include many catalogue essays, articles in American Art, Art Journal, and Art Nexus, and the book Contemporary Puerto Rican Installation Art: the Guagua Aerea, the Trojan Horse and the Termite. She worked on the Ana Mendieta retrospective at the Hirshhorn Museum and Sculpture Garden in 2004, and contributed to that catalogue.
The Washington Sculptors Group is excited to partner with the American University Museum for an exhibition of outdoor work. For Monumental Washington, artists are invited to submit images of existing large scale, freestanding sculptures. All work must be suitable for display outdoors during late winter/early spring months without the need for maintenance. Works will be installed in the museum?s sculpture garden, which has concrete floors and walls?all work must be free standing and require no anchoring.
ABOUT THE JUROR
Laura Roulet is an independent curator and writer, specializing in contemporary and Latin American art. She was one of five international curators chosen for the initial 5x5, a major public art initiative in Washington DC. She organized the 60th anniversary exhibition for the Washington Print Club at the Kreeger Museum, 'The DMV Collects the DMV.' Other recent exhibitions include 'The Human Flood,' ?Landscape in an Eroded Field,? and ?Foon Sham: Escape? (American University Museum, Katzen Center); ?A Dark and Scandalous Rockfall? (Mexican Cultural Institute); and ?Brian Michael Reed, In the Crosscurrent? (Huntington Museum of Art, WV). International exhibits include the OAS Art Museum of the Americas as well as exhibits in Mexico City and Puerto Rico. She was a mentoring curator at the D.C. Arts Center and the first mentoring curator at VisArts in Rockville, MD. She is a regular contributor to Sculpture magazine. Her catalogue essay ?Aglutinación: The Collective Spirit of Puerto Rican Art? is included in Relational Undercurrents, Pacific Standard Time LA/LA. Her other publications include many catalogue essays, articles in American Art, Art Journal, and Art Nexus, and the book Contemporary Puerto Rican Installation Art: the Guagua Aerea, the Trojan Horse and the Termite. She worked on the Ana Mendieta retrospective at the Hirshhorn Museum and Sculpture Garden in 2004, and contributed to that catalogue.